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Despite an enthusiastic sellout audience in JALCs acoustically challenged Rose Theatre, Dianne Reeve's highly anticipated Valentine's Weekend concert amounted to nothing more than a truncated exercise in lackluster vocalese. Backed by a stellar roster of musicians, including pianist and Music Director Peter Martin, the sole standout of the evening, the esteemed bassist and heir-apoarent to the great Ray Brown, Reginald Veal, drummer Terreon Gully, who was allowed little more than time keeping duties and Brazilian acoustic guitar master Romero Lubambo, the entire program lacked focus and Reeve's customary energy. Save for "The Twelfth of Never" and perhaps one other tune, there was a marked paucity of love songs for what had been billed as a Valentine's Weekend concert, Even a tepid rendition of Richard Roger's musical anthem "My Funny Valentine" would have been more welcome than Reeve's meaningless vocal meanderings, Wayne Shorter's jazz classic "Infant Eyes" should have been stricken from the program entirely as it maintained intonation problems throughout and was devoid of any real momentum. Perhaps the announcement that the evening's performance would proceed without intermission should have been a warning as Reeves seemed to falter at times and struggle to gain solid vocal footing in the barely one hour prrformance.